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Milosav Cekic

Urban Design

Goodwater

Saddlewood

Texas Stadium Site

Cottage Homes

30 Acres

Trinity Lakes

Verano

Trophy Club

JFK Causeway

Oak Street

Owensboro

Duncanville Main Street

Jersey Village

Downtown McKinney

Kyle Town Center

Paul Young Ranch

Ranch at Brushy Creek

Regional Transit Center TOD

Terrace

Texas State University

Town Creek

Friday Mountain

VIA Primo BRT Station

 

Single Family Residential

Horwedel Residence

Facundo Residence

Facundo Residence 2

Armstrong House

Byrd House

Jones House

Beachfront House

King House

Dr. Holder Residence

Cekic House and Studio

Bostic House

Mazzarella House

Hawthorn House

The Lagoon House

Hamilton House

Woods House

 

Multi Family Residential

Kinney Lofts Townhomes

Manchaca Road Townhomes

Yale Street Townhomes

Casa Marina

 

Office Buildings

K B Newell

Reunion Center

North Austin

Morris Lane

 

Cancer Survivors Parks

Houston

New Orleans

Columbus

Kansas City

Cleveland

Dallas

 

Mixed Use

Town Creek Lofts

Beachtown

University Square

Reunion Plaza

Waller Creek

6515 Urban South

 

Hospitality

Amerisuites

The Old Mill Settlement

 

Retail & Adaptive Re-use

SAS Factory Store

Shoemakers Inn Store

 

Education

Carol College Comm. Arts

Carol College Student Union

 

Competitions

ICDC

Kansas City CSP

Olympic West Boulevard

CIT

Cityscape

Alabama School of Fine Arts

Chandler Plaza

 

Byrd House

Beachtown Galveston, Texas

The house occupies one of the four most prominent lots in Beachtown. It terminates the passage between the town center and the ocean and stands next to the gazebo at the start of the dune walkover. It was designed for Myra, an interior designer, and Michael Byrd, an attorney, who encouraged me to explore the richness of both Gothic and Victorian approaches to home design appropriate for Galveston and the hurricane prone areas.

The house is strongly inspired by tradition in general, and by a wealth of Galveston's architectural heritage, in particular. It uses both Victorian and Gothic elements to create a house as stately as some of the great historic houses still standing on Galveston's Broadway.

More than 200 blocks of well preserved historic houses in Galveston offer great variety of designs and materials to contemporary architects. How we use tradition in our designs without degrading it, and how we make a meaningful contribution to it, are tantalizing conundrums for many of us. Products and materials used in the 19th century are not readily available today, and the craft of home building that created historic Galveston is all but lost in today's construction industry.

The approach I have taken in designing the house can be called "imitation and innovation." By imitating, we try to penetrate into the underlying reasons and principals behind the design, and by innovation, we try to contextualize today's technology to reflect and serve tradition and at the same time take advantage of modern materials and means of production and construction. The point is not to copy, but to emulate. Our attempts should be not to reproduce details to a "tee," but rather to recreate the formal richness of traditional homes and neighborhoods.

The home's principal massing is Gothic in character and exhibits strong verticality. Additional building components are added to soften the primary massing as well as to further express that verticality. Twin posts on the porches, open rafters and eave detailing, vertically proportioned windows and doors, steep angled roof, ridge pieces, and roof detailing – all contribute to create a slender and elegant home.

The house has a strong traditional distinction between the bottom, the middle, and the top. The heavier bottom, the open and lacey middle, and the soaring top also give hints as to the layout and future use of the house – garage and foyer on the bottom, living areas on the second floor, and bedrooms on the third.

An observation tower is added on the dune walkover side as an important part of the massing and composition. Also, in addition to being a clear indication of how to enter the house, open stairs at the corner facing the passage are a friendly gesture, a "gift to the street" this house makes to one of the most important public spaces in Beachtown.

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© 2011 Milosav Cekic